![]() Reposition the shadow so it aligns properly on the left side of the frame.Go to Inspector > Properties and change the X position of the Anchor Point so that it moves to the left edge of the background shadow.Notice that this value is already set to a default value of 72, which you set when you first created this rectangle. Go to Inspector > Properties > Opacity and Control-click the small arrow to the right (indicated by the right red arrow) and choose Publish.Go to Inspector > Properties > Position and Control-click the small arrow to the right of Y and choose Publish.Go to Inspector > Properties > Position and Control-click the small arrow to the right of X (indicated by the right red arrow) and choose Publish.Select the Text group in the Layers panel: Separating these means that we can adjust the Text group, which contains the title and the background shadow, without adjusting the full-screen title background. We just need to “publish” settings from within Motion that we want to adjust in Final Cut. While Motion allows us to create some pretty sophisticated interfaces, here, we can keep things simple. When we add adjustment controls, all the current settings will become the defaults. In this example, Opacity is 72% and Softness is – 18. ![]() Using the HUD (Shortcut: F7), adjust opacity and edge softness of the rectangle to suit. The height is important, the width will become adjustable. Using the Shape tool, draw a rectangle to appear behind the text. It would be nice if these matched, or, at least, the Zones in Final Cut could be adjusted as they can in Motion.įormat and position the text as you like using the text tools in Motion. NOTE: It is worth mentioning that Motion and Final Cut don’t use the same settings for Safe Zones. In Motion, create a new Final Cut Title template. Here are the controls I can adjust in Final Cut. And here’s how I created it. ![]() Here’s what the title looks like. By default, when I created it, I positioned it to sit exactly on the edges of Title Safe. Here’s another technique that I use all the time – creating highly-flexible custom Final Cut Pro title templates in Motion that I use and modify in all my FCP projects.įor example, this template quickly adjusts: ![]()
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